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Off having some much needed downtime is where. Also, off down Australia way to touch base with the family, hang low. Was fast approaching burnout, so a good recharge of the batteries was in order. Hadn't really had a life free of immediate deadlines for close to 6 years. It's been glorious, a good time to take stock, think about going in new directions and now I'm itching to get back to it all. Am now taking the slow, scenic route back to the US in time for San Diego Comic-con 2009. Yes, I'm going. Most definitely. Click the postery type image for the larger version with the full details. Oh, go on.Pretty please?  Most years, I get many people coming up to where I'm signing more by accident and because I have a habit of hanging around than actual knowledge of signing times...so this time I'm trying to let as many people know exactly where I'll be and when I'll be there. Most of the time I'll be at Splashpage Art. Look for booth #4400 My official home for Comic-con this year. Original art for sale there and yep, I'll be able to do commissions as well! It'll be as many as I can fit in, so in case the list fills up quick, try to get me early so I can fit you in. Generally speaking, $150 for the smaller, letter sized paintings and $250 for the larger. But put any book I've done in front of me to sign and odds are if I'm not knackered I'll happily do a quick sketch for nothing. Never charge for signing books of course. Who would? Been a strange year. Worked my absolute guts out, near burned out, stopped to smell the roses a little, got some amazing job offers I couldn't refuse and now thinking about all sorts of new stuff. And to top it off, I'll be going to the UK TWICE later this year ( October and also November ) and Brazil. Not to mention, something planned in Chicago and also Washington DC. Expect decent updates from here on out til Comic-con...and a fair bit of news coming from the con when it's on. It'll all be utter madness of course. ...and yeah, I love Mad Max a little too much.
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 Photo by J. Etheridge, portrait by...I do believe, the magnificent Dan Panosian. I wish I looked as good as how he drew me. This is from Orlando, where I was last weekend. FX was a fun show, got to hang out with a bunch of very awesome people. Creators like B. Clay Moore, Ivan Brandon, Dave Johnson, Jim Mahfood, Ted Naifeh, Andy Kuhn, Jeremy Haun, Tim Townsend, Dan Panosian, Jonathan Hickman Jason Latour, & William Christensen and a bunch of others I forget ( Sorry! ) Not to mention all the fans who came out to see me during the day to get stuff signed. HUGE thanks to all you guys.
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Here's a little work in progress on a Groom Lake #4 cover. See more on my flickr.  From Friday and thru the weekend I'll be down at the FX Orlando con thingy. So if you're a local, come see one of my rare appearances anywhere vaguely on the east coast, certainly the closest I'll probably come to visiting the true south. ( Is Florida actually considered part of the southern states? I have no idea! ) I'll hopefully have plenty of time to actually get some commissions done, ( Which I only really can find the time for at cons sadly ) so if you want one, drop on by. I should have some books, original art & maybe some prints available too. Here's what I usually do for commissions: All are painted, tonal with watercolours etc. Usually grey tones, with spot colours for effect. Anything you like. Small: $150, Larger $250 See blog for previous examples. Quick sketches are always free, certainly if in TPB's or on books in general. Signatures and chatting to you nice people are what I'm there for. Here's the info: APRIL 17-19, 2009 Orange County Convention Center, Orlando Check the FX show website for more.
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Issue #1 has completely sold out from the distributor, including the quite decent overprint, so in celebration, here's a look at #3's cover.  First off, some sketchy pencils. I leave the big stuff to the inks, which is a luxury someone who does both has really.  Lay in the basic lines and start on the crotchwork.  Blacked in the bits I needed to, now I start on the watercolour washes...  Lots more watercolour, with a bit of white pen and such at the end before it's ready to scan...  And after a few colour washes, some contrast adjustment and a little airbrush, Groom Lake #3 Cover A is born! If you didn't know, Groom Lake #2 is still available, just ask your friendly retailer to use this code: MAR094324 to get one in for you. Otherwise it probably isn't going to magically appear on the store shelf for you. Issue #1 has already sold out so make sure you don't miss it! Issue #3 just became available to order, so tell your retailer APR090874 is the code for the good stuff. Cheers to everyone who bought and dug the hell out of #1! ( It apparently was quite a lot of you! ) Have just gotten word that a rather famous chap is going to be doing the intro for the eventual collection too.
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 Yes indeedy, I'll be over at the Emerald City Comic-con this weekend, along with a whole slew of creators and fun peeps. It's one of those shows I'll probably have plenty of time to actually get some commissions done, ( Which I only really can find the time for at cons sadly ) so if you want one, drop on by. Here's what I usually do for commissions: All are painted, tonal with watercolours etc. Usually grey tones, with spot colours for effect. Anything you like. Small: $150, Larger $250 Quick sketches are always free, certainly if in TPB's or on books in general. Signatures are what I'm there for. Details for the con are: 4th April - 5th April 2009 Emerald City Comicon Seattle Washington State Convention & Trade Center Seattle, Washington State USA Check www.emeraldcitycomicon.com for further details.
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 Finally! I know I plugged some of the new prints I put up in my Cafepress On Demand store last week, ( Of which the image above is one ) but finally the store section on my actual website ( You know, www.templesmith.com ) is now a little more current too. All the major stuff that's currently in print ( err, unless it's now sold out ) like Wormwood, Fell & 30 Days are now up with convenient little links to their Amazon pages and a few of the Cafepress prints nd sketchbooks are as well. Don't know what I'm on about? Well this blog stuff gets put in a variety of places, like: BloggerTumblrMyspaceFlickrLivejournalComicVine...but ultimately shows up on my *actual* real site, you know, the one with an online archive gallery, appearance schedule/dates and yes, links to how you can actually get some of the stuff so I won't get quite so much email saying "I really want it but I can't find book X, please how can I get it?" which actually happens quite a bit. I should be adding a bunch more stuff to the online store over time now, so if interested, keep an eye on it. Now I have to work. Monday's are best taken out back & put out of their misery in a quiet & dignified manner, possibly with a shotgun.
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 If you're a Windows OS fanatic, best to stop reading this post at this point. For everyone else, specifically artists, interested in actually being productive, I went Mac a few years ago, at the insistence of M'lady...who dragged me into the store kicking and screaming almost. ( And this was after I'd had a PC, with all it's cheap generic hardware fail me, destroying a months worth of work I had to quickly get redone in a week. ) Once I got one and experienced some sort of functional, user friendly OS for the first time in my life, I never looked back. Now I'm onto my third Macbook Pro. This little baby you se here arrived last thursday. Damn near 3 GHz, with 8 GB ram. I'm lucky enough to make artworks for a living. I finish them off on computer. I really found if I put the money into a quality machine, I end up recouping the costs pretty quickly. I use macs because I want to be productive. If I buy a car, I don't expect to have to have the knowledge of a mechanic just to drive the damn thing. Yet this is pretty much my experience with Windows. I want to be productive 100% of the time I choose to be on my computer. My MBP gives me this around 98% of the time. If it's 3am and I have a deadline, I am not interested in anything else. And yes, Macs are not good for games. Boo hoo. That's why Mac allow you to dual boot, allowing me to even do that if I want to. But this is primarily a work machine. If you want to be serious with your work, I definitely recommend investing in your work flow and going mac unless you're some sort of specialist that for some reason really does require a PC.  Look at that. They're interested in communicating clearly with you. Beautiful.   My old Macbook Pro and my new one. When you upgrade a mac, they have this thing called Migration. With 3 clicks you basically transfer your old laptop ( not just the contents but your user settings, passwords, literally a carbon copy of your old machine ) onto your new one. It's painless and easy. And then I went back to work.
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 Bloody hell, I don't know what it is about my little book Wormwood: Gentleman Corpse but it just doesn't seem to die. It's into it's technical 5th printing now of volume 1 ( with that basically sold out now too and hopefully a new one coming ) and we just did a hardcover version. Now that the New York Times is nice enough to give comics some love and respect with their own bestsellers list, I've made it onto there for the first time, which is super nice. It's actually one of the books I'm most happy with too. Gave it a complete redesign, lots of extra material/backmatter...so really, this is just icing on the cake. Huge thanks to all of you who've ever checked out Wormwood. It really is a labour of love for me. Been through so much with that little book. Had a bunch of award nominations, some from completely unexpected quarters ( like the International Horror Guild ) but really, what makes it most worthwhile is meeting the fans that dig the book and tell me it actually makes them laugh. So cheers. Here's to more Wormwood in the future. Look for a new miniseries and then TPB next year, probably called "Bingo Night in Valhalla " Graphic Books Best Seller List (Hardcover)1 WATCHMEN, by Alan Moore and Dave Gibbons. (DC Comics, $39.99, $75.) This epic tale from 1986 signaled a new maturity in comic books. 2. JOKER, by Brian Azzarello and Lee Bermejo. (DC Comics, $19.99.) The Joker, newly released from Arkham Asylum, deals with the rivals who have carved into his territory. 3 BATMAN: THE KILLING JOKE, by Alan Moore and Brian Bolland. (DC Comics, $17.99.) This critically acclaimed story from 1988 offers a possible origin for the Joker. 4 ALL-STAR SUPERMAN, by Grant Morrison and Frank Quitely. (DC Comics, $19.99.) These stories, free of the barnacles of continuity, include an encounter with Zibarro, the only sane resident of the Bizarro world. 5 BATMAN: R.I.P., by Grant Morrison and Tony Daniel. (DC Comics, $24.99.) Thomas Wayne, the father of the caped crusader, is cast in a sinister light. 6 HUMBUG, by Harvey Kurtzman and others. (Fantagraphics, $60.) The 11-issue run of this satirical magazine from the 1950’s receives the hardcover treatment. 7 TARZAN: THE JESSE MARSH YEARS, Vol. 1, by Gaylord DuBois and Jesse Marsh. (Dark Horse, $49.95.) Witness the Golden Age adventures of Tarzan. 8 EERIE ARCHIVES, Vol. 1, by various. (Dark Horse, $49.95.) The gruesome magazine, following in the steps of its cousin Creepy, in a hardcover collection. 9 WORMWOOD: GENTLEMEN CORPSE, by Ben Templesmith. (IDW Publishing, $24.99.) Humor and horror team-up in this series about a maggot that animates corpses and solves supernatural problems. 10 THE COMPLETE PEANUTS: 1971-1972, by Charles M. Schulz. (Fantagraphics, $28.99.) Sally Brown is the cover girl in this latest collection of newspaper strips. Want a signed one?And now for the shameless plug. If you want a copy, I personalize/sign them for free ( since I'm currently in the IDW offices, ) over at the IDW online store. It just costs a bit for shipping is all.
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 Well, Groom Lake #1 hits all good comic stores today. ( And if it didn't ask your retailer why and tell them you're perhaps willing to kill and eat small children if they don't use the order code: JAN094293 and get one in for you. Diamond still has plenty copies for just such things currently.) For those of you nice enough to Mr Ryall and I to pick up a copy, hope you dig it! It's an odd little book, but not as odd as others I've done. This one actually has some coherence to it, thanks to Chris's writing. Hope you'll be along for the ride with #2! Just had a review pointed out to me over here. If you want to get an extra special signed/personalized copy, you can find them on the IDW store here. Since I'm currently in house, all orders of works with my name on it get a complimentary signature/note. If you did enjoy #1, you can still order #2, incidentally, as IDW have staggered the release to make it easier for retailers to know the response to the initial issue. Often second issues get a huge drop off due to the fact no one even knows if the #1 is any good, ( which is hard enough to gauge support but at least it has a fancy #1 in front of it. ) If you want in on the crotchtasms, let your retailer know the order code: MAR094324
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